Simultaneous confusion

Imagine, being totally lost within the havoc of the world around you, noises everywhere, things changing, but there is only one constant; you. This is the exact thought I had whilst listening to Hayden’s piece ‘Evening’. Listening to the piece, I recognised deep and sharp undertones of the manipulated dog bark contrasted with the lighter, and chaotic noise of commotion. Within my images, I portrayed this by composing darker, in focus snapshots to convey the ‘constant’ dark undertones–which too are darker in nature. I then contrasted this with a mini series of lighter, somewhat blurrier images which portray the lighter, confusing overtones within the soundscape.

The use of repetition of the same locale with different perspectives and manipulations of light was inspired by Olivia Jeczmek and Bildinstitutet’s photo series Symbiots. This series uses three locations repeated within a series of six photographs to look at the design of a locale. With this composition and conceptual idea in mind, I re-invented patterns within my own work to encapsulate the repetitious nature of the soundscape–thus emulating the notion of confusion and constant.


Disturbance–MEDA101/Area 14

Disturbance is a piece which depicts not only a locality within Fairy Meadow but also the other forces within it. I documented the way that people constantly bypass this area and simply drive through the suburbs preoccupied by their phone, cars or by their busy day. This therefore masks the stationary landscape of this area and morphs it with the fast pace of the cars, the people and the nearby school. Although, continuing with this concept of disturbance, I wanted to portray this specific area awaiting a storm. This then turns the stationary into movement and brings life to things once thought as dormant or not possessing great sound value. Therefore, my piece exposes the sound potential of this locality within an unconventional change of weather.

Focusing on noise, my inspiration for this piece was Gail Priest and her exploration of the cyclical nature of noise. Priest’s collaboration with Kate Carr in blue I green, specifically track 5 ‘transmissions‘ where she repeats the same sound–which introduced the piece–at the end of the piece. This provides a rounded effect and I decided to use this as inspiration within my piece to show that nature and interactions within it go full circle, thus bringing back perspective. I have included many sounds such as a school bell, cars, shopping trolleys, trees, buckets, lawn mowers, cracking bark and gates to create an eerie setting which pushes the audience to feel slightly uncomfortable and on edge. Thus, I am demonstrating an alternate view on my chosen locality.